1 / 11 - Performance view, by B.O. Photo
2 / 11 - Performance view, by B.O. Photo
3 / 11 - Rehearsal view, by B.O. Photo
4 / 11 - Rehearsal view, by B.O. Photo
5 / 11 - Performance view, by B.O. Photo
6 / 11 - Rehearsal view, by B.O. Photo
7 / 11 - Performance view, by B.O. Photo
8 / 11 - Rehearsal view, by B.O. Photo
9 / 11 - Performance view, by B.O. Photo
10 / 11 - Rehearsal view, by B.O. Photo
11 / 11 - Rehearsal view, by B.O. Photo

Re-Fracture


cross-field performance, 2023
co-creator and live sound performer


We become remnants of time, seeking and imagining completeness in a process of dissection. As evidence of a presence, a fracture is also the remnant after an event or of an exerted force. More than a static break, a fracture incarnates the record of an occurrence inscribed on a visible object.
Once the event terminates or the force no longer exists, we seek to mend and restore amid breaks and fragments,  while continuously creating fractures and heterogeneities.

Co-created by YEH Yu-Hsuan, CHENG Dao-Yuan, and HSIAO Yu-Li, Re-Fracture based on “fracture” is an exploration of the incompleteness, variation, the virtual, and the real of a rupture through the mutual check and balance, interlacing superimposition, and reorganization of the physical movements, sounds, and installations regarded as interdependent vehicles.



Choreographer: YEH Yu-Hsuan
Sound Creation & Performance: CHENG Dao-Yuan
Installation & Performance: HSIAO Yu-Li
Performers: LAI Yu-Feng, TSENG Yu-Ting, CHAN Pei-Hsuan

Lighting Designer: TING Hao-Tsu
Costume Designer: Juby CHIU
Stage Manager: CHEN Pin-Hsaun
Sound Engineering Coordinator: C-LAB Taiwan Sound Lab
Lighting Technology Coordinator: Tinghaotsu Lighting Design Studio
Installation Assistant: LIN Wei-Ting

Artistic Consultation: CHOW Ling-Chih
Production Consultation:Neo WU
Sound Engineering Consultation: DEAN Chi-You
Executive Producer: HSIEH Ya-Yun
Special Thanks to Artexpected CO.,LTD, LEE Hua, LIAO Wen-Yu, TSOU Ying-Lin, HSIEH Kuang-Yu, and HualienArt





我們成了時間的殘骸,在剝離的過程追尋、幻想完整。斷裂面(fracture)作為曾經在場的證據,亦是事件或力的作用遺跡。
但它並非只是靜止的斷口,而是把事件發生的過程紀錄在我們所能看見的物體上。當原初的事件以及作用力已不復存在,我們處在斷裂、殘缺中,試圖修補、還原,卻也不斷創造斷裂與質變⋯⋯

由葉于瑄、鄭道元及蕭育禮共同創作的《逆斷口》(Re-Fracture),由「斷裂面」為始進行探索。
肢體、聲響與裝置被視為相互依附的載體,在往返斷口之間相互制衡、交錯、疊加、重組,探究破裂的殘缺、變異與虛實。



肢體編排:葉于瑄
聲響創作暨演出:鄭道元
裝置設計暨演出:蕭育禮
表演者:賴有豐、曾淯婷 、詹佩瑄

燈光設計:丁浩祖
服裝設計:邱娉勻
舞台監督:陳品璇
聲音工程統籌:C-LAB 臺灣聲響實驗室
燈光技術統籌:丁浩祖燈光設計工作室
裝置協力:林煒庭

創作顧問:周伶芝
製作顧問:吳季娟
聲音工程顧問:丁啟祐
執行製作:謝亞芸
特別感謝:藝外創意有限公司、李樺、廖玟淯、鄒瑩霖、謝光俞、花蓮日出藝文基地
共同製作:臺中國家歌劇院



© 2024 Cheng Daoyuan