Re-Fracture
cross-field performance, 2023
We become remnants of time, seeking and imagining completeness in a process of dissection. As evidence of a presence, a fracture is also the remnant after an event or of an exerted force. More than a static break, a fracture incarnates the record of an occurrence inscribed on a visible object.
Once the event terminates or the force no longer exists, we seek to mend and restore amid breaks and fragments, while continuously creating fractures and heterogeneities.
Co-created by YEH Yu-Hsuan, CHENG Dao-Yuan, and HSIAO Yu-Li, Re-Fracture based on “fracture” is an exploration of the incompleteness, variation, the virtual, and the real of a rupture through the mutual check and balance, interlacing superimposition, and reorganization of the physical movements, sounds, and installations regarded as interdependent vehicles.
Once the event terminates or the force no longer exists, we seek to mend and restore amid breaks and fragments, while continuously creating fractures and heterogeneities.
Co-created by YEH Yu-Hsuan, CHENG Dao-Yuan, and HSIAO Yu-Li, Re-Fracture based on “fracture” is an exploration of the incompleteness, variation, the virtual, and the real of a rupture through the mutual check and balance, interlacing superimposition, and reorganization of the physical movements, sounds, and installations regarded as interdependent vehicles.
我們成了時間的殘骸,在剝離的過程追尋、幻想完整。斷裂面(fracture)作為曾經在場的證據,亦是事件或力的作用遺跡。
但它並非只是靜止的斷口,而是把事件發生的過程紀錄在我們所能看見的物體上。當原初的事件以及作用力已不復存在,我們處在斷裂、殘缺中,試圖修補、還原,卻也不斷創造斷裂與質變⋯⋯
由葉于瑄、鄭道元及蕭育禮共同創作的《逆斷口》(Re-Fracture),由「斷裂面」為始進行探索。
肢體、聲響與裝置被視為相互依附的載體,在往返斷口之間相互制衡、交錯、疊加、重組,探究破裂的殘缺、變異與虛實。